“May gumagawa nga ng dokyu on sped children hindi naman sped!” This is in context what I came to know just recently from a very reliable source. I mused on it and I got “irritatingly” amused.
So? Need one be a farmer or need to study agriculture to make a painting on farmers? Be a slum boy to film “Slumdog Millionaire”? A prostitute to write on prostitution? Atbp…What a stupid line of thought!!! I was sparked by Alyana, my niece with autism to make a film on her, is there a problem there? I am an independent filmmaker so who can stop me from making one? Neither can anyone stop even commercial filmmakers to touch on the topic for as long as they consider truth and the sensibilities of PWAs and their families.
For those who have the same line of thinking, why don’t you admit that films with authorities on sped children in it, or with the sped subject [and their families] telling viewers about themselves and their experiences can very well supplement or are better than boring classroom lectures of non-creative teachers?
I had experiences of being approached by Masteral graduates telling me that Alyana, my film on autism for ex. gave them better understanding of autism more than all their books on autism combined that they read and the lectures that they heard about it. There was also an education student from Cagayan de Oro who after watching it said that learning the experiences and admiring the commitment of sped teachers in the film made her decide to major in sped because of the challenges she’s bound to encounter.
Effective documentaries on sped subjects can touch the hearts and minds even of knowledgeable sped students and open minded sped educators, NOT boring lectures, NOT theories, NOT having full knowledge of all the pedegogical principles on earth, and for that matter NOT having sped units or degrees. Producing Alyana took me two-and-a-half years to finish—more than enough time to spend to earn a Masteral degree. A mother of a child with autism actually asked me if Alyana was my doctoral thesis…
I am no authority on sped, I never claim to be but I have the right and authority as artist and independent filmmaker to focus my subjects on anything and anyone, i.e. sped children and PWDs. My films are confidently authoritative on the matter because of the fact that I do not not make up the contents of my films—the subjects themselves tell us who they are, how they feel and what their needs are.
Filmmaking is just my way to express and to share what I am researching on my own, with no sped units to earn that motivate me to do so. I enter diverse worlds to learn first hand everything in there that interest me… If it happened that the cases of sped children caught my attention and interest, why should that bother sped educators when my films actually help their students understand their subjects better?
To end, let’s do a reversal of role and let me instead say to sped education students, specialists, educators, who for ex. had attempted to make films on sped subjects: “May sped na gumagawa ng dokyu on sped children hindi naman filmmaker!!!” Ever tried making even a 3-minute film by yourself ? A challenge…
In reality of course, I will be more than happy to know if any of them will really embark in producing by themselves because films on sped subjects are undoubtedly needed. I am very willing to help them if they want to...