Posts Tagged ‘Lynn Cappal’

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Monsoon in Laguna

October 2, 2012

At close look this child statue seems to be a part of a water fountain…


But no! It’s monsoon waters flooding the area… And since the other statue* behind him is looking up, he appears to me as if praying: “Lord! Please! Please stop the rains!” Or, “Rain, rain go away!” [*I am not sure if that’s St. Anthony as it stood too far from my vantage point. See the wide shot below]

Because of the monsoon rains, business in this resort restaurant has been dead for weeks… the reason why Lynn Cappal, a Deaf performer in my film A mi Patria – [see the girl below] – looks sad… because she went there for a swim in hot spring waters.

Lynn must be trying to locate the swimming pool.

The place is in Laguna Province and we went there last month, a day after our showing. I wonder whether the swimming pool can be seen by now or if the floods have receded. Maybe not! Since two low pressure areas have been spotted today.

That time, we ended up somewhere else.

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“Solace…by the Shore of Laguna de Bay in Los Banos”

September 6, 2012

Going to the house of Gen. Paciano Rizal where he found “solace… by the shore of Laguna de Bay in Los Baños” a day after the screening of A mi Patria [Rizal’s Poems in Filipino Sign Language] at UPLB wasn’t really planned. Nagkayayaan lang! It isn’t a usual shrine. There’s no sign announcing the visiting hours. Oh well! That’s how I remember it. [Meron ba?] We just knocked at the closed gate which bears the distinguished name of Dr. Jose Rizal’s beloved brother Paciano whom Rizal described as “The noblest Filipino of them all” [See the marker/last photo below].

From the gate, I saw the house which for me appeared like any provincial old house common in Laguna. It must have been built after the Spanish period. There’s nothing imposing in the look of the house. It reflects the simplicity and solitariness of the owner the way I know Gen. Paciano Rizal from my readings about him up close from the book of Agustin Coates which I find to be one of the best books written about Rizal. When Rizal was studying in Manila, it was Paciano who took care of his needs. When he studied abroad, again it was Paciano who provided what he needed most probably “assigned” by his parents out of obligation and being the eldest son in the family. Until now, I only remember seeing a photo of Gen. Paciano – and blurred at that. He clearly shied away from the camera which was quite in contrast with Rizal who loved to be photographed as attested by the existence of his many photos from the time he was small – and most especially, when he was abroad. Pero buti na lang din! Rizal’s fully documented life – in photos and writings – has given us concrete pictures as to how he looked like and lived.

Gen. Paciano Rizal’s Family Tree Located at the House Entrance

The caretaker allowed us in… after telling her that I did speak with Ms. Ester Azurin but that was to invite her for the A mi Patria showing. Oh by the way, Mr. Lopez [I suppose the patriarch of the clan] replied on the screening day that they couldn’t attend much as they want to. I was actually expecting the negative response because we unfortunately came to know their contact numbers a day or two before the screening. It was honestly embarrassing for me to call Ms. Azurin [her contact number was provided by Zarah Escueta, former Rizal Shrine curator] and texted Mr. Lopez at too late a time …pero nagbakasakali lang talaga. I really hoped and wanted some members of the Paciano Rizal clan to be there. We thought of it when the idea of showing it in Laguna was forming. Afterall, the film is a tribute to their great Lolo. But we didn’t know how to get the message to them. We forgot that Zarah is from Laguna and she was the Rizal Shrine Curator in Fort Santiago. Anyway, should another screening be held in Laguna, I’ll surely tell them much ahead of time.

Here’s more of our journey’s record in the house of Gen. Paciano Rizal:

[L-R]: Giselle Montero, Lynn Cappal, Myra Medrana and me. Foto by Dennis Balan

View from Inside the House of Paciano Rizal, Laguna de Bay waters still flooding the area. I’m sure Gen. Paciano would be upset to see this.

Another View of Laguna de Bay from the Back of Paciano Rizal’s House with Floodings Caused by Habagat 2012

On the way out we posed for a foto with Gen. Paciano Rizal [Precious Leaño in blue blouse and Dennis Balan

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Visit to the Rizal Shrine in Calamba_Setting of Awit ni Maria Clara

September 6, 2011

This afternoon, I went with Manang Fely to visit the Rizal Shrine in Calamba and his Bantayog located opposite the Calamba City Hall in Laguna. The shrine has few furnitures left. I had been to the place when I was small, and I could only recall before going there the fan that fansied my imagination at that time, and the well. The nipa house looks different now. I met the curator and informed her of my plan to shoot the Deaf interpretation of Awit ni Maria Clara. I gave her a copy of the Natinal Historical Commission of the Philippines’ letter of permission that was granted to us as early as April.

Calamba has become a very busy city — crowded, noisy, with lots of tricycles, sidewalk vendors, etc. SM Calamba is prominent as well as Liana’s. From Buendia in Pasay, we took a bus [Green Star] ride up to what they call Crossing. There we took a tricycle to the house of Rizal at P40. We reached the house after 4p.m. and since the sign board says that visiting hours is only up to 4 p.m., I was a little upset. I thought I could not go inside it. The security guard motioned us to go in because the shrine is actually open up to 4.30 p.m. We proceeded from there to what they call Bantayog or Plaza Park, where the newest and supposedly tallest statue of Rizal can be found. I want to shoot the 5th poem there. Now, my mind is working on how to shoot A FILIPINAS… And I think CJ Patriarca will be best to act as symbol of Mother Filipinas..
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[Update on this entry]. It’s October 7, 2012! Time is incredible! It flew so fast, I forgot that I wrote the above post until I saw it on my stat today. Anyway, I shot A Filipinas and I liked its outcome. I remember just doing the storyboard in my head as I didn’t have the time to do because of Asiong Salonga film we were then working on – overnights – to meet supposedly the Venice International Film Festival deadline. This poem interpreted in Filipino Sign Language turned out to be quite symbolic and more that what I expected. Even if the camera work were not that satisfactory to me, still I was then quite happy with the treatment. It wasn’t CJ Patriarca who ended up as Mother Philippines but Lynn Cappal! It was also Aldrin Gabriel who ended up performing for the second time. The person meant to do it was nowhere to found. For some photos taken during the shooting, click the link below:

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