Posts Tagged ‘“Apolinario Mabini: The Sublime Paralytic.”’

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Aquino Cites Apolinario Mabini During Awards for PWDs

September 30, 2015

President Benigno Aquino III on Tuesday handed awards to outstanding persons with disabilities (PWDs) and advocates for their welfare during the 2015 Apolinario Mabini Awards held in Malacañang.

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The function we attended yesterday [Photo courtesy of inquirer.net]

The awarding ceremony coincided with the snowballing public discourse on the historical film Heneral Luna and its main characters, which include the ‘Sublime Paralytic” Apolinario Mabini.*

Such discussions revealed that some Filipino students were not aware that Mabini was a PWD, who suffered from polio, which rendered him incapacitated. While lauding the PWDs who have succeeded in their endeavors despite challenges brought about by their disabilities, Aquino also expressed his disappointment at students who do not know Apolinario Mabini.

[To read the full article, click: http://newsinfo.inquirer.net/726219/aquino-leads-apolinario-mabini-awards-for-pwds-supporters#ixzz3n9DYdE00 ]


* NOTE: our documentary “Apolinario Mabini: The Sublime Paralytic” has a segment on the cause of Mabini’s disability. The docu was first shown at the Mabini Shrine in Tanauan, Batangas last July 17, 2015, a little over a month after “Heneral Luna” was released with Epi Quizon acting as Mabini. I believe he  should watch it to update him on the latest research findings on Mabini’s condition. Mabini’s body was exhumed in 1980, and doctors back then reported that he had polio. That is what Epi knows. Dr. Jiggs Gilera findings released in 2014 says that Mabini had Guillain-Barre Syndrome which I find more plausible since polio was usually contracted by children. Good that these days polio vaccines are easily available.

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“Before this film, kulang ang alam ko about Mabini. Now I understand.”

August 19, 2015

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The Blind Architect, Jaime Silva with Febe Sevilla, hearing interpreter. [Grabbed frame from The Sublime Paralytic; Segment on Mabini disability]

“...Mas naintindihan ko yung hirap ni Mabini as a writer, the policies that he did for the government para alam natin yung magiging direksyon ng Pilipinas, and the problems na hinurdle nya with his disability…Hindi rason yung kanyang disability, his love for [the] nation, his love for what he is doing was really something that the nation benefited from. Before this film, kulang ang alam ko about Mabini. Now I understand. Ni hindi ko alam na naexile pala sya sa Guam. These are some things that I’ve learned ngayon sa aking napanood,” says Architect Jaime Silva after “watching”, rather listening to the story of Mabini as my documentary, Apolinario Mabini: The Sublime Paralytic screened last Friday, August 14. A special preview was held at the Department of Foreign Affairs as part of their 2015 Post Celebration of NDPR Week. Arch. Silva is United Architect of the Philippines Chair on Disability Affairs. Known as THE BLIND ARCHITECT, he is the subject of a 14-min documentary with the same title that I made for APCD, JICA, NCDA and the UAP.

Interviewed for The Sublime Paralytic, Architect Silva talks about the discrimination Mabini must have experienced as a Persons with Disability [PWD]. The only difference then and now, he said was the fact that during Mabini’s time, there were no assistive technologies for PWDs and there was no law that protected the rights of PWDs. The Philippine Accessibility Law was enacted only in 1983, or 87 years after Mabini contracted paralysis in 1896.

A segment on disability matters and the causes of Mabini’s paralysis forms an important part of the film. The latest findings of Dr. Jiggs Gilera contests the pronouncements in the 80s that polio was the cause of Mabini’s paralysis. Guillain Barre-Syndrome [GBS] he says caused it. Incidentally, the reader of El Verdadero Decalogo / Ang Tunay na 10 Utos, Abner Manlapaz was crippled by GBS at the age of 16.

PREMIERE Showing on August 27, 2015 at DLS-CSB ARG Theater, 5th floor, 4 pm. Taft Campus, Manila. Contact DLS-CSB School of Deaf Education and Applied Studies for more information.

Apolinario Mabini: The Sublime Paralytic’s Filipino-narrated version, PULE: Utak ng Rebolusyon is now in post-production. Mabini was the Chief Adviser of Gen. Emilio Aguinaldo, First President of the Philippine Republic [1898] and his First Secretary of Foreign Affairs [1899].

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CJ PATRIARCA in APOLINARIO MABINI: THE SUBLIME PARALYTIC

August 14, 2015
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CJ Patriarca’s Special Appearance in The Sublime Paralytic

Former member of the SILENT STEPS, Catherine J. Patriarca joined in the making of THE SUBLIME PARALYTIC as one of the four Filipino Sign Language interpreters in “Apolinario Mabini: The Sublime Paralytic.”

I first met her while she was still studying at DLS-CSB School of Deaf Education and Applied Studies. I was then a student of Filipino Sign Language under the FSLLP Program. I interviewed her for my film SILENT ODYSSEY, a documentary that celebrates the talents of Deaf Filipinos. A theater performer and a dancer, she also appeared in one of the five segments of A Mi Patria, the collection of five poems of Rizal interpreted in Filipino Sign Language.

Watch CJ Patriarca in APOLINARIO MABINI: THE SUBLIME PARALYTIC!

Premiere Showing on August 27, 2015 at DLS-CSB ARG Theater, 5th floor, 4 pm. For ticket reservation and more information, click the following link: http://goo.gl/forms/SWf1Yks7tk

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Music Score Review and Preview with Tumtum, ‘Twice Exceptional’ Person with Autism

July 3, 2015

This is his first time to work on scoring a film just as this is my first time to work with a special music scorer. I am referring to Thristan “Tumtum” Mendoza, a ‘twice exceptional’ person with autism whose music potentials and capabilities was challenged anew when I offered him the task of scoring my documentary, “Apolinario Mabini: The Sublime Paralytic.” [Its Filipino version PULE: Utak ng Rebolusyon will follow]. Tumtum is a solo concert music artist, and this is his first film music scoring assignment.

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Tumtum explains the limitations of his software  during our last meeting

Advocating for PWD inclusion and their mainstreaming in our society, and believing in their talents and capabilities, there was no hesitation, but more of excitement when I thought of including Tumtum as member of my production staff. His mother Belina was most anxious when I broached the idea, and thought the idea was quite risky for me since Tumtum has no experience whatsoever in music scoring. But confident as ever that God leads me to the right people, I was ready to take the risk, if you may call it that. Besides, I wouldn’t know until I try. And not until I hear what he had produced, I cannot say that he is not cut for it. Above all, since it is my film, and I am an indie, I can do what I want because no producer would dictate on me what he wants.

And I was right! Tumtum came up with beautiful music scores that gave the right mood for my film. I could feel Tumtum’s heart in it, if you know what I mean. Only a couple of his works were not utilized.

Last week, I sat down with Tumtum and Belina to preview my film with his music on it. I gave him a copy of the film with my notes on his scores, comments, instructions, etc. It has become like a PostTUMTUM Notes 2 It vehicle for me. And I believed it helped anyway as we previewed the segments one by one; stopped where notes are written; explained when I had to. Based on that, he will be lengthening or shortening the music, change it, and /or adjust the final position of the music scores.

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Discussion with Tumtum was supplemented by visual instructions written on the material itself.

The process was a little different from how I usually work with other music scorers. Others normally compose then position the music against the video themselves. Then, I sit with them when they finalize the music score. We go segment by segment, with me asking for some changes or adjustments here and there until I approve of everything. In the case of Tum, he composed the music per segment, tagged them accordingly, then gave them to me. I myself then positioned his music that I liked and approved of against the picture, with his tag as guide. Since he had no specific mark as to where to actually position them I used my instinct. But I did not limit the placement of his music based on his tag. Wherever I find it appropriate elsewhere, I use the music again.TUMTUM Notes 3

There are pieces that I used several times which were not meant for the designated segment since they sounded good and goes well on others. I do acknowledge that Tum must have the exact position in mind when he created the segmental pieces. So, ultimately, he has a say on it, and he can readjust what I did. But as I have a say on it as well compromise would be the solution.

I hope that music scoring as a new avenue for his talent continues and flourishes. New blood should be infused in the film music world. It would for sure, be quite challenging for him since he has to feel the scene to create the music to enhance its mood. His flexibility will be challenged. But his potentials as an excellent music scorer is great. He can do it!

Mom Belina is so happy with the busy-ness the music scoring assignment gave Tumtum. He matured more she said. He has learned a lot. Most importantly, his focus on the new work, pulled him away from facebook!

The film is slated to be launched at DLS-CSB, at 4 pm, in Manila on August 27, in Celebration of the National Heroes Day. A special film preview will be held on July 17 in Mabini Shrine-Tanauan, Batangas.